That upset me.
Not just that I was getting a reprimand from my assistant Sam Oliver, but I knew she was right.
We had the gig to shoot the RSPCA Dog Calendar 'Here Boy'. I knew I had to try something different.
At a tiny roadhouse near Moora Sam found a rag and rubbed it on a cat strolling by and put it in a plastic bag (the rag not the cat).
At our next shoot at Morawa Sam dangled the rag with feline aromas in front of the pooch and immediately his tongue lolled out. Success!
|Farmer and mate near Moora Western Australia|
I then unleashed a new secret weapon, a high pitched belly-dancing yodel like call from deep in my throat
The dog's ears immediately pricked up and stood at attention.
I shot a half dozen frames.
I had already made sure we had catchlights in Fido's eyes to make them come alive.
We had developed a little formula to make sure that we were getting animated dog shots.
BRIGHT EYES - POINTY EARS - LOLLING TONGUE
You can discover more secrets about shooting dogs in my Beginners Digital Workshop at UWA where I conduct a micro workshop on shooting dogs without getting bitten.