Thank you!
We've just passed 16,000 hits on 'Deadly Boring Photographs'.
Thanks to followers in the USA, Ukraine, Malaysia, Canada, Germany, France, United Kingdom, India, Norway and Australia.
Cheers
Dale Neill
Unless the word absquatulation has been used in its correct context somewhere other than in this warning, it does not have any legal or grammatical use and may be ignored. No animals were harmed in the transmission of this message. Those of you with an overwhelming fear of the unknown will be gratified to learn that there is no hidden message revealed by reading this warning backwards. boring@fotograf.com.au
Monday 24 February 2014
16,000
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Tips for boring travel photographs
Here are a few tips to ensure that you achieve Class A boring travel pics on your next oversaes holiday.
Make sure you travel on the bus with your crowd, getting off the bus and standing in the same place, shoot from the same height as everyone else (1.58 metres) and from the same angle (eye level). Huddle together in one group with your tripods and long lenses and eat exclusively in tourist hotels and tourist restaurants. Avoid mixing with locals.
Choose a photographic tour leader who shows you lots of pretty pictures and then leaves you to your own devices and is more interested in his/her own photography than teaching or assisting you.
To guarantee that you max out on the boring scale avoid contact with locals or learning any of the local language. Whatever you do, make sure you don't interact with any locals or attempt to befriend them.
I've been lucky! I've worked out how to achieve quite a high hit rate for getting people shots in foreign countries.
Here are my four tips:
I'm leading a group of photographers to Hungary, Croatia, Slovenia and the Dalmatian Coast in October 2014. Click HERE for information.
Make sure you travel on the bus with your crowd, getting off the bus and standing in the same place, shoot from the same height as everyone else (1.58 metres) and from the same angle (eye level). Huddle together in one group with your tripods and long lenses and eat exclusively in tourist hotels and tourist restaurants. Avoid mixing with locals.
Choose a photographic tour leader who shows you lots of pretty pictures and then leaves you to your own devices and is more interested in his/her own photography than teaching or assisting you.
To guarantee that you max out on the boring scale avoid contact with locals or learning any of the local language. Whatever you do, make sure you don't interact with any locals or attempt to befriend them.
oOo
I've been lucky! I've worked out how to achieve quite a high hit rate for getting people shots in foreign countries.
Here are my four tips:
- Carry a small camera and a large smile
- Have a photograph of you and your family ready in your camera bag
- Start a conversation and befriend a local
- Ask permission to photograph something the person is proud of rather than the person.
In these photos in Malaysian North Borneo I befriended a local Chinese man and his associates. We had an animated conversation about Malaysia, Education, food and coffee. I managed to get a few simple shots in the cafe of a genuine real life everyday situation.
Later, when I went to pay for our group of photographers, I discovered the bill had been picked up by my newly acquired Chinese friend. I emailed him a thank you and these pics.
Later, when I went to pay for our group of photographers, I discovered the bill had been picked up by my newly acquired Chinese friend. I emailed him a thank you and these pics.
Friendship works - if its genuine.
I'm leading a group of photographers to Hungary, Croatia, Slovenia and the Dalmatian Coast in October 2014. Click HERE for information.
or
Learn the Art of Friendship on my next UWA Extension course on successful travel photography 'On The Move'. Contact me on onethemove@wildheart.com.au for dates and times.
Tuesday 18 February 2014
Third Place (yet again!) at your local Camera Club
Andreh Pradesh, India after tsunami |
If you're getting the same results, month in, month out, year in, year out you must be taking the same sort of photographs month in, month out, year in, year out.
So here are a few tips about how you can continue to achieve mediocre, boring images.
PROBLEM
1. Boring! Shoot the same 'pretty' places that everyone else does - the Swan River Boathouse, the Pinnacles, Sugarloaf Rock and the Australia Day fireworks.
2. Not you again! Shoot the same 'pretty' faces; the young pretty girl with full Estee Lauder make-up, the old crinkle-faced man in monochrome. Both need to be static, posed, pin-sharp and preferably eyes averted. Try never to let your subject show an ounce of emotion. And never ever let two people interact!
3. Same Same! Use a mid-range shutter speed. 1/250, 1/500 or 1/1000 second with all shots. Never ever use 1/8000 second, 2 seconds or 18.3 seconds.
4. Dreamy streamy! Shoot a waterfall with an ND filter to give the water the 'washing machine' look like all 14.3 million new DSLR owners do in Australia.
5. Maxxed out resolution and maxxed out desolation! Produce a pin-sharp, hyperfocally adjusted, 26MP chocolate box cover number 1,429 of Lake Geneva framed by trees. (I'll settle for the choccies and a cover of Schapelle sharing a pot of English Breakfast tea with Shane Warne)
SOLUTION
Then again, if you want to be a bit naughty, you could try
1. Going somewhere different - the main street of Wyalkatchem at dawn.
2. Shooting portraits of 'ordinary' people and making them look extraordinary - six bus drivers or 10 people who run local businesses
3. Spend a whole day shooting using a shutter speed of one second.
4. About that waterfall - get into that waterfall with your waterproof camera or stick your camera in your plastic lunch bag (after eating your sandwich).
5. Ah, that chocolate box cover. Grab an old polaroid camera and some film. Take that chocolate box shot. Now get yourself a biro and write squiggly lines vigorously all over the back of the image. You should have given your image the 'Van Gogh' treatment.
or
Join me on a vintage motor sailer cruising the Dalmatian Coast
Dale Neill
Master Photographer, Professional Educator, Amateur Barista
“Be daring, be different, be impractical, be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary.”
– Peter Lindbergh
Dale Neill
Master Photographer, Professional Educator, Amateur Barista
“Be daring, be different, be impractical, be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary.”
– Peter Lindbergh
Sunday 16 February 2014
Flash of Genius
You don't have to be a genius to be a good photographer, you just need to take a few million shots and end up with a handful.
Cameras have been cleverly designed for the most part. There are one or two cameras that look as though they may have been designed by a team of mutant teenagers after smoking something inspirational. But the majority of cameras these days automatically produce sharp, correctly-exposed images.
So cameras are simple enough to use. That is, until you pop a flash on top of your camera and start shooting. Things can go wrong very quickly and they usually do; if not technically then they become disasters in art and design. Placing a flash in the hands of an amateur photographer is akin to handing a live grenade to an eight year old boy.
A lack of confidence and competence with flash isn't restricted to amateurs. I know half a dozen highly-renowned professional photographers who don't know the first thing about flash. Their solution? They always find an excuse not to use it (but they don't always get away with it!)
Here are a few simple tips to set you on your way to being a more successful flasher:
1. Each and every time you take a photograph with flash you are actually taking TWO images - one on top of the other on the same frame. Never ever forget that - its always two images with flash. Its a key piece of knowledge to understanding the many dimensions of flash.
2. If you're using a DSLR camera with a flash the safest setting to use is 'P'. This means the camera has the largest range of options by adjusting both shutter speed and aperture.
3. Extend the life of your pet budgerigar by not firing your flash into your budgie's eyes (or any other pet for that matter!)
Cameras have been cleverly designed for the most part. There are one or two cameras that look as though they may have been designed by a team of mutant teenagers after smoking something inspirational. But the majority of cameras these days automatically produce sharp, correctly-exposed images.
So cameras are simple enough to use. That is, until you pop a flash on top of your camera and start shooting. Things can go wrong very quickly and they usually do; if not technically then they become disasters in art and design. Placing a flash in the hands of an amateur photographer is akin to handing a live grenade to an eight year old boy.
A lack of confidence and competence with flash isn't restricted to amateurs. I know half a dozen highly-renowned professional photographers who don't know the first thing about flash. Their solution? They always find an excuse not to use it (but they don't always get away with it!)
Here are a few simple tips to set you on your way to being a more successful flasher:
1. Each and every time you take a photograph with flash you are actually taking TWO images - one on top of the other on the same frame. Never ever forget that - its always two images with flash. Its a key piece of knowledge to understanding the many dimensions of flash.
2. If you're using a DSLR camera with a flash the safest setting to use is 'P'. This means the camera has the largest range of options by adjusting both shutter speed and aperture.
3. Extend the life of your pet budgerigar by not firing your flash into your budgie's eyes (or any other pet for that matter!)
If you want to learn more about Flash check out my
UWA Extension Course Creative Flash for DSLRs
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