They do that by being suckered into QUANTITY rather than QUALTY images.
A few weeks back I noticed a slick advertising campaign 'Twenty new photography competitions every month'. And another 'hundreds of photography competitions for you to enter'. You can enter just about anything from the 'Sunsets' comp to the 'Men with just one leg' to the 'Budgerigars sitting on french poodles' competition!
Let's get one thing very clear here. Such competitions are there to make money for the organisers and for them to sell you additional products and services. They may tell you they are there for you to expand your creativity in photography. There 'pulling your leg'. Other competitions will promise you world-wide exposure or even being exhibited in a famous art gallery. Alas, read the fine print - you may find that the exposure is restricted to being on a temporary website loosely named after a famous art gallery. More 'sucker' bait.
Less sinister than the multi-entry competitions is the explosion of on-line photographic groups. Fortunately, they are not designed to take your money but they are designed to lure you into producing more, lower quality images. How? Very simply. You join the 'closed' group, feel special and feel obliged to contribute. Even when you have virtually nothing to contribute. These groups are classic examples of 'activity traps'. They make you feel good, they make the organisers feel good, but they do very little to injecting creativite stem cells into your lacklustre system.
These groups are de facto thieves - they are not stealing your money but they are stealing your time - your own 'coin of life'. There will be the 'Film Photographers Group' who do little more than photograph other cameras, the 'Creative Photographer's group who tend to stifle creativity and the provincial 'East Wyalkatchem North Noggergerrin Photography Club' with 3 members. For heaven's sake - why don't the members of the EWNNPC just meet up, have a few beers and shoot a few sheep and kangaroos in the end paddock.


I was blown away with his presentation - it was powerful, an insight into the changing moods of the photographer on a 24 hour cycle and the variability of his daughter's response. It was a truly stunning presentation and unifying, creative project. The presenter then topped it off by showing us postcards of his best dozen shots in black and white. No fire escape required.
Another way is to produce a book with a theme - maybe a destination (not Syria at the moment), a passion (food or wine are good places to start), a cause (medical or otherwise), a hobby. Allow youself the best part of a year if you want to do this really well. (Tip: Every single time you click the shutter think of three commercial applications for that image).

Join me alongside the Swan River and dip your toes into my Creativity Pool with a UWA Extension Photography Workshop. I'll even throw in lunch (not in the water! Click HERE for details.
PS I'll also show you how to shoot images sharper than a surgeon's scalpel.
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